Learn what Sherlock really thought of Watson, what Mr. Darcy really wanted to do to Miss Elizabeth Bennet, and unveil the sexy escapades of Mr. Rochester and Jane Eyre. From the moment Jane Eyre sets eyes on her one and true master, Mr Rochester, her life is irrevocably changed. The tall, dark man is an enigma, complex, deep, compelling, frightening, and tempting beyond compare.
This stern, unyielding man brooks no refusal and demands all of what Jane has to offer as he invites her on a journey of the senses that would scandalise society. He is at home reading a book. When trouble brews and voices are raised, he retreats to his library, where none may enter without his permission. When disaster duly strikes, and Lydia runs off with a notable rake to live in sin somewhere in London, he is powerless. Such an intelligent man should have seen it coming.
Dead right. Jane Austen directs our sympathies like a Beijing traffic cop — balletic and graceful, she is also very firm and unambiguous, brooking no argument. There's really no room for Elizabeth Bennet to be anything other than a feminist heroine, having such a pert wit and lovely eyes, commanding our affections the way she does. However, her relationship with Mr Bennet, so often seen as establishing and ratifying her status as the smartest and most interesting of the daughters, certainly complicates — if not pollutes — her standing as our narrator's ego ideal.
The marriage between the parents is just one union serving as a counterpoint to the love match that all the daughters so ardently, subversively desire. Without his second daughter, he would be alienated. When this is noted — "'Eliza Bennet,' said Miss Bingley, when the door was closed on her, 'is one of those young ladies who seek to recommend themselves to the other sex, by undervaluing their own; and with many men, I dare say, it succeeds.
But in my opinion, it is a paltry device, a very mean art'" - the direction of the narrative would have us take this as evidence that Miss Bingley is a bit of a bitch. But she's also right. To be in her confidence, women have to be incredibly quiet, in other words — this prejudice of hers is much more limiting than her prejudice against Mr Darcy.
To be so scornful, it would help if she had excellent judgment, but instead it is poor — she ridicules Jane for her easy assumptions of everyone's goodness, but her own adjudications Wickham good, Darcy bad are erratic and muddled. She affects an arch carelessness to shore up her already established paternal approval; and yet she does care, so the act of surrender is both cowardly and inauthentic.
Her rejection of traits that she perceives as feminine — the reservation of judgment, which she casts as indecisiveness — interferes with her wisdom, rendering it less than it could be.
I would never argue that a feminist had to be sisterly, any more than sisterliness does anything for feminism. Nevertheless, it is a tough call to find a feminist icon in a woman who hates her sex to please her father. Mr Darcy may not be the first depressive to feature in an English novel, but he is almost certainly the first to be a romantic lead. This is a man without shame, whose shamelessness is made worse by the fact that he has intermittent access to good judgment. When he is without it, however, he is a manipulative, hypocritical, self-centred depressive, aware of some of his faults but unapologetic for them — bound by arrogance to ignore them because they are his, and therefore, by his definition, not really faults at all.
Think only of the past as its remembrance gives you pleasure. He blames his dead parents for "spoiling" him; he will not see that his character and actions have been for some years his own to shape. He is unhappy about himself, critical even, but is locked in a spiral with thoughts that "cannot, ought not to be repelled". He has, furthermore, no interests; he doesn't do anything.
He will lend his fishing rods to Mr Gardiner but doesn't contemplate joining in the sport. In modern therapeutic terms, he needs to understand his own emotions more deeply, get to know himself, take exercise to release endorphins, abandon the protective persona "beneath me" he has adopted and forgive himself for what he is and has been. There is much to forgive, much "work" to be done, and it is the sadness of the book that we suspect he will never be able to do it.admin.apsitedown.com/map66.php
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When Elizabeth asks him why he was so silent on his last visit, when all seemed set fair between them, he says he was "embarrassed". Even she, all of whose defences are down as she heads for the altar, cannot let this go: "But tell me, what did you come to Netherfield for? It will be hard for her to accept that in her husband the lack of vital energy that underlies depression will always dominate the intermittent bursts of activity, the little upswings that punctuate his melancholy.
All that Darcy can do now is marry Elizabeth, his lifelong Prozac in an Empire-line dress: dear, busy, middle-class Lizzy with her wit and common sense, who will be good at sex, kind to his sister and will laugh at his aunt. It is more, really, than he deserves for his single outburst of politeness and his periodic financial largesse. George was brought up with Fitzwilliam, the heir of Mr Darcy of Pemberley, a spoilt and ill-tempered boy with little regard for the future responsibilities of his privileged life. But the Reverend Mr George Wickham's abilities were soon recognised and eventually he rose to a bishopric and was revered as the very model of a Christian gentleman.
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He married the daughter of a wealthy churchman but money was never important to him. Is Lydia Bennet Jane Austen's most misunderstood character? Seen through the eyes of her sister, Elizabeth, she appears to be a vulgar, lusty hoyden, whose outrageous antics put all her sisters' reputations at risk.
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Elizabeth complains: "Our importance, our respectability in the world, must be affected by the wild volatility, the assurance and disdain of all restraint which mark Lydia's character. But is it really so bad that Lydia refuses to conform to the strict and suffocating conventions of female propriety? Drugs that officials called promising in had still not been tested five years later. Others that were transforming lives in off-market experiments, such as an anti-blindness drug called DHPG, still awaited clinical trials, ensuring that many AIDS patients would go blind unnecessarily.
Federal officials dithered for years before issuing guidelines on treatable infections. Public indifference and political ineptitude drove activists to take matters into their own hands.
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Condoms became popular, bath houses closed and transmission rates for all sex-related diseases slowed dramatically. Yet it would take over a decade for Washington to fund a safe-sex campaign nationally. Activists staged protests to highlight the cost of federally approved drugs, and they learned enough about virology, chemistry and immunology to propose essential drug-trial innovations.
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Federal and private researchers eventually took note of what they were saying. Never before had a group of patients done so much to guide the agenda of so-called experts. As a gay man in New York during this time, Mr France buried many friends and lovers.
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