A young woman's dreams of moving to Wyoming are halted when her unstable boyfriend accidentally kills a man. With his true love captured by the villainous Sheriff of Nottingham, the legendary Robin Hood and his crew of outlaws execute a daring rescue to save her.
When the Universe decides what it wants, it's pointless to resist. With his family's life at stake, Joseph Steadman finds himself the unwilling test subject of a maniacal scientist in a battle that could save the world, or destroy it. Nick is haunted by night terrors stemming from a tragic murder he saw when he was young.
After inheriting an old toy shop, he discovers a cursed elf doll sealed inside an ancient chest with A family must put faith in a mysterious priest when an demonic force, connected to a decades-old murders in their home, possesses their daughter. A girl wakes up after a car crash.
Her younger brother has disappeared. As she promised him, she boards a cargo ship to find a new life. A surreal trip on the fragile edge of life and death. After a space mining operation gone bad, Troy is on an emergency escape vehicle drifting towards the sun.
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He gets radio contact with possible help but will they get there in time? After the loss of his daughter Eleanor, a famous scientist, Dr. Herbert West, experimenting with a special serum invented by him, desperately tries to bring her back to life. When Ranae agrees to babysit for a family with a tragic past, a run-of-the-mill Saturday night quickly turns into a confrontation with unspeakable horror. After the first manned mission to Mars ends in a deadly crash, mission controller Mackenzie 'Mack' Wilson Sackhoff assists an artificial intelligence system, A.
Their investigation uncovers a mysterious object under the surface of Mars, that could change the future of our planet as we know it. Written by boboTheDinosaur. It's Mars 1 crashes on the planet after getting hit by an energy field. They find an object of unknown origin. This is reminiscent of an old style sci-fi magazine story. British filmmaker Hasraf Dulull started in CGI and videogames into trying to make these smaller budget sci-fi movies.
This could have been a Twilight zone episode although it may still be not good. It's stuffed with CGI scenes of a Mars mission. The human scenes consist mostly Sackhoff, a computer voice, and a techie room. The movie lacks a human touch and a human story. In short, it lacks humanity no matter how hard Sackhoff tries. It's only good for a shorter sci-fi TV episode. Enjoy a night in with these popular movies available to stream now with Prime Video.
Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! IMDb More. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Preparing the miniature set of the lander probe to launch from the orbiter ship. The rover sets out on its mission to investigate the mysterious giant cube.
We extended into the distance stuff. We used a CG rover for the aerial shots and wide vistas of it entering the dust storm. During second unit, we also shot elements of dirt, smoke and atmosphere at various speeds on black for use later in compositing. The Martian storms were mainly digital, rendered out of Houdini by effects artist Aleksandr Uusmees.
I then took those into After Effects for compositing and I integrated lighting strikes, stock footage of retimed clouds and additional Houdini simulations along with some keyframe warping effects. Filmmore VFX and visual effects supervisor Hans Van Helden, in Amsterdam, handled wireframe animated renders of the rover in action and a few full CG shots involving the rover and parachute lander.
I supervised a small team at my own company, HaZ VFX, handling all the heads-up displays and screen graphics for playback, previs, the launch of the probe, the orbiter space station, all the Mars storm scenes, the Cube scenes and several key sequences. The cube miniature, under construction at The Model Unit. The cube miniature on the Martian landscape set. CINEFEX: Without giving too much away, your third act gets into some narrative pyrotechnics as Mack confronts the mystery of the cube on Mars — how did you design and execute those sequences?
There are some pretty big ideas there, quite ambitious for an indie sci-fi film. HAZ: We always knew the film needed a big twist, ramping up in scale and cranking up the imaginative sci-fi content toward the end. The design of those scenes took shape during postproduction. As we were editing, I was working closely with Andrew Popplestone on our title sequence.
I built a sequence that involved 3D renders of the cube and cosmic imagery, using assets generated from the title sequence. Andrew supplied me with large 6K textures. Visual effects artist Lee Medcalf, a frequent collaborator of mine, then built the cube using planes textured with those renders, and then animated the camera and lit it all in After Effects. He supplied me with the After Effects file and I added additional animation and effects. We used cosmic visual treatments seen in the opening title sequence, so the film opened and ended with this style.
There were really no rules when it came to the last act of the film.
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I felt the more mind-bending it became visually, and the more depth and layers we had in those shots the better, to make those scenes feel complex and large. This would not have been possible, or affordable, on a typical indie-scale film. And it was all result of the collaboration between myself, Andrew Popplestone, Paddy Eason and their teams. The film will have its U. Great article.
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Just one correction. The lander probe miniature, and the model set of its launch bay, were shot some months prior to the main model shoot, and were handled by fx designer Paul McGuinness. Just want to make sure Paul gets credit. Production design previz. Lander probe miniature element. The rest of the movie was a lot of post-production. With my background we were able to do a lot of that.
Absolutely stunning work; and he could pass for having a slight sense of human emotions.
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There was a lot of reliance on Katee using her imagination and listening to me giving her crazy directions on where to look, how to say things, how to react. We also built a full scale model of A.
groupon367tong.dev3.develag.com/masonry-beyond-the-light.php Just so that for certain shots, Katee could look at the right eye line. We built one. How did that happen? I always wanted to make movies, so I did a lot of short films. I got signed to a manager, did the whole Hollywood thing. That came out in January of this year and was released by the lovely people at Gravitas Ventures N. She really liked it and it helped her decision to join our project.
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