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Händel, Georg Friedrich - Sarabande and two Gavottes - TTBGb
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Sample Pages. Title Composer Berceuse trio F.
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Schubert Gavotte J. Boccherini Scherzo duet C. Webster Scherzo quartet C.
Webster Minuet in G, Wo0 No. Bach Minuet No. Bach Humoresque, Op.
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Despite intense nationalistic fervour right across the Austro-Hungarian Empire in the mid- to late nineteenth century, many clung to that flashy style. The men for that task were two graduates from the National Hungarian Royal Academy of Music in Budapest which was later named after Liszt.
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Its presence is already palpable in his Intermezzo for string trio. Yet despite these qualities, this charming Intermezzo keeps its harmonic footing firmly on the Austro-German side of the border. This statement of intent, led by the cello, leads to a highly discursive and intense Allegro.
The thematic material in the first movement is shared equally between the players, though one often snatches it from another, creating a spirited sense of confrontation. The intensity abates at the beginning of the second movement Lento assai, tranquillo , though folksong clearly influences the harmonic language here, generating moments of searing intensity before they too recede.
That sense of ebb and flow is particularly evident in the fugue.
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A pizzicato section offers a more jocular though no less contrapuntal response and then moves back to the original subject. The Presto begins as a dance, though it too has a more sophisticated edge, with highly variegated harmonies and a melancholic trio. Counterpoint returns at the opening of the finale, as does the plangent cello, before a courtly common-time dance is treated to a sequence of variations.
The piece was dedicated to the Waldbauer-Kerpely Quartet who had premiered its predecessor as well as giving the first Hungarian performance of the Debussy Quartet that had been its model.
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